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5
JAN
The 11th of December, I had the pleasure of seeing Juan Manuel Mora, a young cantaor from Barcelona, at the Madrid tablao Las Tablas. Far from having that gravelly voice that has come to be expected of purist flamenco singers, Mora has a distinctly young and delicate voice, prettier than it is gut-wrentching, which is more or less appreciable depending on the audience’s mood and expectations.
I’d seen Mora before in the 2008 Flamenco Pa’ Tos galas, where he’d impressed me slightly more than at Las Tablas, probably because of the better sound system, lighting and space, which, like it or not, has a big influence on the audience’s experience, especially with an art form as intimate as flamenco and a show that consists of only two performers: singer and guitarist.
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Happy New Year and hello from Japan! Yes, ladies and gentlemen, Lola the Cow has embarked on a new adventure and crossed half the planet to report from flamenco’s home away from home.
According to an article in Dance Magazine, there are 80,000 flamenco students in Japan’s 600 dance schools and studios, a fact from which we can infer that flamenco is more than just a passing trend on this archipelago. In turn, the Spanish should accept a full blown cultural exchange and adopt and assimilate Kabuki. We’ll wait and see what happens.
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31
DEC
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