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Phone |
(+34) 91 542 72 51
Our Customer Service opening hours are:
Monday to Friday from 10:00 to 13:30 and from 17:00 to 19:00 and Saturday: 10:00 to 13:30hIn Japanese:
Saturdays 10h-13:30h. (GMT +1) or by e-mail at japan@flamencoexport.com
In 2020, our store close for holidays the following days: January 1st and 6th; April 9th and 10th ; May 1st, 2nd and 15th; August 15th; October 12th; November 2nd and 9th; December 7, 8th and 25th.
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- Flamenco best sellers
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All Flamenco
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- Bull-fight and Spanish Flag Handbags
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- Flamenco best sellers
- Andalusian costumes
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- Flamenco Dance Outfits
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- Hats
- Manila Shawls
- All Flamenco
- Bracelets
- Braces and Belts
- Breeches and Tassels
- Brooches
- Bull-fight and Spanish Flag Handbags
- Bullfighter Outfits
- Campero Boots Valverde del Camino
- Costumes and Accessories
- Customized Products
- Fabrics per Metre
- Flamenca Blouses
- Flamenco Costumes for kids
- Flamenco dance Tops and Bodies
- Flamenco Dolls
- Flamenco Face Masks
- Flamenco Guitars
- Flamenco percussion boxes and canes
- Flamenco Pictures
- Flamenco Shirts
- Hats
- Jewellery
- Joaquín Cortés
- Manila Shawls
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- Short Boots
- Small Shawls
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- Party clutches, Guest clutches, Mini Bag
- Straw boater for Women
- Top Hat for Women
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- Flamenco-Spain.com
- Didactic Material
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- Flamenco Step by Step: Adrián Galia
- Manuel Salado: Flamenco Dance, Flamenco Guitar and Tap
- Oscar Herrero
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- Solo Compás
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- Our address:
- Calle Campomanes, 4, 28013, Madrid
- See map
- E-mail:
- flamencoexport@flamencoexport.com
- Phone:
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Our Customer Service opening hours are:
Monday to Friday from 10:00 to 13:30 and from 17:00 to 19:00 and Saturday: 10:00 to 13:30hIn Japanese:
Saturdays 10h-13:30h. (GMT +1) or by e-mail at japan@flamencoexport.com
In 2020, our store close for holidays the following days: January 1st and 6th; April 9th and 10th ; May 1st, 2nd and 15th; August 15th; October 12th; November 2nd and 9th; December 7, 8th and 25th.

Bolero
Bolero has always been considered as a melody with an historical value, so far that today some people consider it as a masterpiece.
Some reseachers established its birth and said that its first and historical presence took place in the "filin" Cuban movement. It is important to say that the Cuban point of view of "today" was not present then, which means that we are not refering to the authorized voices like José María Vitier, Marta Valdés, Frank Fernández, Chucho Valdés, Alexis Díaz-Pimienta, Efraín Amador, Waldo Leyva, Omara Portuondo, César Portillo de la Luz and much more, neither to the rest of the artists who contributed to the success of the North American project Buena Vista Social Club.
The acurate research of Francisco Ojeda established the bolero birth in the second half of the XIXth century, what contradicts the title of the book "Cien años de bolero" of the Colombian Jaime Rico Salazar.
'El cinquillo' appeared as the first rythmic pattern of 'bolero', apparently inherited of France via Haiti, through Cuba, Yucatán and, according to some people, through the South of United States.
For the ones who would like a description much more accurate of "what is a bolero?", they had to conform with the conclusion of Ojeda: "It is an tune". Of course intelligent, reconciling, with a wonderful end.
Frank Figueroa put down the Leitmotivs of the most famous boleros, their introductions: "All say my love for you is not true...", showing that everything is said in a very short time.
Being myself a bolero's son (dad pianist and mom singer...), I affirm that it is impossible to try to organise the story, its date of birth or the nacionality, because the reason bolero has been created came from illusion, spite, lie, truth, passion, jalousy, treachery, abandon, reunion and threat of death too.
Most compositors, authors and interpreters of bolero created the best masterpieces from two basic tools: love and confusion.
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