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Day 9 of the Jerez Festival: María del Mar Moreno, Juana la del Pipa, Dolores Agujeta & La Macanita

Day 9 of the Jerez Festival: María del Mar Moreno, Juana la del Pipa, Dolores Agujeta & La Macanita

The dancer from Jerez María del Mar Moreno, and her company “Jerez Puro”, returned to the festival with their new show “Quiero tu cante” (I want your song). Moreno’s new proposal rests on the consecrated voices of the flamenco world and searches for “that song that intoxicates her, that enamors her, that transforms her into several women, that makes her happy and that frees her deepest feelings, good and bad.” To make this a successful proposal, María relies on the haunting voices of Antonio Malena, Juana la del Pipa, Tomasa Guerrero “La Macanita”, Manuel de Malena and David Lagos. Guitarist José Luis Montón joined them...

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Prayer Made Song
Singing Palos

Prayer Made Song

Una Saeta

From Seville to Jerez de la Frontera, and passing through Algeciras, Periana, Don Benito and Miajadas, there are many cities and towns in which Saetas ring out amongst the aromas of orange blossoms and incense. Several contests and events celebrating this flamenco style born of prayers and requests for grace from the Christs and Virgins of Holy Week were held this week.

The Saeta’s lyrics reflect the moment of the Passion and Death of Jesus Christ and the Virgin’s pain upon witnessing her son’s crucifixion, and what began as a spontaneous prayer ended as a song difficult to execute. The first known records of the saeta are from the last third of the XVIII century. However, it is probable that they existed even earlier, although there’s no evidence of it...



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Day 8 of the Jerez Festival: José Luis Bolao, Javier Latorre, Rafaela Carrasco, Inés Bacán, Pedro Peña & Pedro María Peña

Day 8 of the Jerez Festival: José Luis Bolao, Javier Latorre, Rafaela Carrasco, Inés Bacán, Pedro Peña & Pedro María Peña

José Luis Balao headlined the Con Nombre Propio: Vivencias cycle on the eighth of the Jerez Festival. At 71 years old, he is one of the great maestros of the guitar. He has taught for over 30 years in Jerez, his hometown, and his students include such exceptional guitarists as Javier Patino, Alfredo Lagos, Santiago Lara, Juan Diego, Pascual de Lorca and Bolita.

The eighth day also marked the end of the choreography workshop taught by Javier Latorre. Latorre has taught countless dance classes in other editions of the festival, and it was his idea to recover in some way the choreography competition aspect that existed during the Jerez Festival’s origins.

 

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Soleá, from popular lyrics to the pen of poets
Music Singing

Soleá, from popular lyrics to the pen of poets

Tengo un querer y una pena.

La pena quiere que viva;

el querer quiere que muera.

-Manuel Machado

The Soleá is in and of itself poetry. Poetry in three octosyllabic verses typical of the popular Andalusian lyricism that reached the pens of the most famous poets. Poetry in the majestic dance of a woman. Poetry in its melodic richness, profoundness and solemnity that make this style a basic pillar of flamenco. Its twelve beat timing has transitioned to other styles, in fact, Alegrías are also twelve beats, however, each style transmits a completely different emotion...

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Day 6 of the Jerez Festival: Victoria Eugenia, David Lagos, Andrés Marín & Ana Morales

Day 6 of the Jerez Festival: Victoria Eugenia, David Lagos, Andrés Marín & Ana Morales

The Con Nombre Propio/Vivencias cycle continued with Marta Carrasco’s interview of Victoria Eugenia. Victoria Eugenia was a key figure in the Ballet Nacional de España (BNE) and a renowned star in the world of Spanish dance. On top of being a teacher at the BNE, between 1993 and 1998 she created such well known choreographies as “Solo”, “Danza IX”, “Chacona” and “La oración al torero.”
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