The second night of the XIV Jerez Festival began at the Sala Compañía with the kick off to the Con Nombre Propio cycle, which debuted this year with the excellent dancer and flamenco teacher from Madrid, La Truco. The daughter of the singer José Truco, presented “Pa mis adentros” a suite of dances that she created at the Madrid tablao Casa Patas and that demonstrates, in her own words, “what it feels like to dance flamenco from the inside.”

Despite being a mature woman, La Truco moves with the quickness, energy and charm of a young dancer. With all of these attributes, it is completely incomprehensible why she would invite the dancer Joaquín Ruiz to share the stage with her on this occasion. Despite having a long career in flamenco dance, Ruiz is a dancer that severely lacks both style and fluidity and who adds absolutely nothing to the show.

The last I saw of the XVIII Caja Madrid Flamenco Festival before packing my bags and heading for Jerez was the dual show starring the singer from Huelva Arcángel and the pianist from Seville Dorantes.

Arcángel began the evening with a gorgeous concert. With a delicate yet strong and expressive voice, Arcángel is representative of a young style of singing that strictly preserves the flamenco tradition. Maybe it’s because he’s lived them firsthand, but he sang the fandangos de Huelva masterfully.

What also contributed to the success of Arcángel’s concert were the artists with whom he surrounded himself: the guitarist Miguel Ángel Cortés flaunted his talent with a solo that was heavily applauded by the public, and the brothers, possibly twins, Antonio and Manuel Saavedra, responsible for choruses and palmas...

The XIV Jerez Festival begins tomorrow, and La Vaca Lola will be covering the event for FlamencoExport. To see the festival program visit the fest’s Web site, and if you can’t swing by Jerez, follow the festival here with us.

In the meantime, enjoy Flamenco.TV’s video coverage of the XIII Jerez Festival. Click on the artist’s name to see the corresponding video:

Eva Yerbabuena & Moraíto

Juan Diego & María José Franco

Aida Gómez & Juan Antonio Suárez “Cano”

Anabel Rosado, Macarena de Jerez & Gerardo Núñez

María Pagés & Rosario Toledo

When Mayte Martin’s concert ended on the second night of the XVIII Caja Madrid Flamenco Festival, the Flamenco Calle de Alcalá 2010 Award was presented to the maestro guitarist Enrique de Melchor, whose concert ended the evening.

The son of Melchor de Marchena brought with him a large group of artists. Among those who shared the stage with Melchor, the most impressive were the excellent flamenco flutist Juan Parrilla and singer Chato de Vélez. I’d seen Juan Parrilla on several other occasions and admired his talent for a long time, but Vélez was a discovery. With a clear and strong voice, he soon won me over, becoming in a single night one of my favorite backing singers...