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Day 14 of the Jerez Festival: Encarnación Marín, Rafael Estévez, Nani Paños, Antonio Reyes & Rancapino

Day 14 of the Jerez Festival: Encarnación Marín, Rafael Estévez, Nani Paños, Antonio Reyes & Rancapino

To close the Con Nombre Propio: Vivencias cycle, Encarnación Marín “La Sallago” was interviewed by the journalist Alberto García Reyes, a flamenco writer for the ABC newspaper. Marín is one of flamenco’s living legends. At the age of 91, she has no problem showing off her jovial side as a singer who has lived unforgettable artistic experiences.

From an early age, Marín exhibited an innate artistic talent, which let her to tour Spain with her prodigious voice and share stages with the biggest names in flamenco history: Pepe Pinto, Nina de los Peines, Caracol, El Perrate, La Paquera and Camarón. Her career is one of the longest lasting in flamenco history.

Rafael Estévez and Nani Paños, return to Jerez with their company Dos Pormedio and the show “Sonata,” a production that debuted two years ago with which their intention is to recuperate this modality, danced for the first time in 1952, like the Escuela Bolera solo, by Antonio el Bailarín in the film “Duende y Misterio del Flamenco” by Edgar Neville.

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Sara Baras: The essence of art from Cádiz

Sara Baras: The essence of art from Cádiz

La bailaora Sara Baras sobre las tablas
Pie de imagen

The dancer Sara Baras has spent over a decade headlining successful shows thanks to her magnificent work on stage. Her racial, profound and elegant dancing is topped off by exquisite staging making her deserving of her numerous recognitions, amongst which some of the most important include the National Dance Prize, The Max Performing Arts Prize in the Best Female Dancer, Best Dance Performance and Best Choreography categories, as well as the Gold Medal of Andalucía.

However, the most important of all of her recognitions is the loyalty of her public, who show after show, have packed the theatres that the dancer from Cadiz has graced and from which she has no announced she will now retire temporarily. The young Baras has decided to take a break to become a mother, as the doctors have recommended that she take a professional break in order to seek motherhood.

Sara Baras is saying her goodbyes to the stage with ‘Esencia’ a collection of her most brilliant and unforgettable moments, a sort of anthology of her career. Twelve years ago, Baras founded her own company and has since traveled the world with nine shows characterized by their excellent quality, making her a reference in the dance world and a part of flamenco history.

In ‘Esencia,’ audiences will enjoy the Works from Baras’ Juana la Loca, Mariana Pineda and Carmen. Baras combines her own personal presence with that of these historical women.


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The Sad Loss of Dancer “Rafael el Negro”

The Sad Loss of Dancer “Rafael el Negro”

The flamenco world mourns the loss of the dancer Rafael García Rodríguez, known as ‘Rafael El Negro,’ at the age of 74. Rafael passed away this morning at Seville’s Infanta Luisa Hospital, where he was receiving treatment since Christmas. His wife, dancer Matilde Coral, with whom he had three children, was with him.

Born in Triana, he made history in the flamenco world thanks to his purity of dance, as he was considered one of the most elegant bailaores of his generation...


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Day 7 of the Jerez Festival: Karen Lugo, Saray García, Antonio Canales & Mixtolobo

Day 7 of the Jerez Festival: Karen Lugo, Saray García, Antonio Canales & Mixtolobo

On the seventh day of the festival, the Mexican Dancer Karen Lugo and the dancer from Jerez Saray García graced the stage of Jerez’s Sala Compañía as part of the Los Novismos cycle. Lugo began studying flamenco in her home country and later perfected her craft in Madrid with the teachers at the famed Amor de Dios academy. García began dancing at seven years of age and studied at the Academia de Ana María López. Both dancers offered festival goers two solo numbers each. Of the two, Lugo’s elegance and style was most impressive, although García had such powerful footwork that it is worthy of mention.

On the stage of the Villamarta Theatre, the legendary dancer from Seville Antonio Canales and the Japanese pianist Mie Matsumura collaborated in the presentation of “Serenata Andaluza” (Andalusian Serenade) with a musical score by Falla, Albéniz and Granados. The show wasn’t an exercise in flamenco fusion, but rather “a true and respectful meeting of the flamenco world – dance, song and guitar – with the music composed by these geniuses of Spanish classical music history.”

 

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