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Lole y Manuel, el ‘nuevo flamenco’

Lole y Manuel, el ‘nuevo flamenco’

Lole y Manuel

Aunque ahora se han convertido en clásicos de este arte, en los años 70, cuando la pareja comenzó su andadura profesional, fueron precursores del conocido como ‘nuevo flamenco’. Su toque y su cante comenzaban a expandirse más allá de los aficionados estrictamente al flamenco, abarcando un público más heterogéneo.

Iniciaron la senda del flamenco fusión que luego otros muchos seguirían alcanzando grandes éxitos. Los aires hippies que llegaban desde Estados Unidos y recorrían Europa fueron una de las mayores influencias para esta pareja, afectando tanto a la música como a las letras. De hecho, las letras dejaban de lado la amargura y la pena que caracterizan a numerosos palos flamencos, dedicándose a la paz, las flores y el amor. Todo ello de la mano del poeta Juan Manuel Flores.

Lole (Dolores Montoya Rodríguez) procede de familia de gran arraigo y tradición flamenca, hija de La Negra, comenzó en el baile hasta dedicarse al cante junto a Manuel. Por su parte Manuel Molina llevaba desde niño en el mundo del flamenco y a los doce años ya formaba parte del trío ‘Los gitanillos del Tardón’ junto a Chiquetete y El Rubio.


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Paco de Lucía, Doctor Honoris Causa
Guitar Flamencos Legends

Paco de Lucía, Doctor Honoris Causa

Paco de Lucía

It’s a landmark in maestro guitarist Paco de Lucía’s personal history, and also for flamenco history. On May 8th, this internationally renowned artist will be vested as Doctor Honoris Causa by the Berklee Collage of Music, a private university in Boston, Massachussets (USA). Those responsible for awarding this great academic distinction believe that “his music and artistic vision has influenced several generations of musicians and have contributed to the transmission of flamenco to an international public”.

Francisco Sánchez Gómes, known artistically as Paco de Lucía, was born in Algeciras (Cádiz) in 1947, where his internationally renowned career began decades ago, when flamenco was no longer a music for private parties and began to be performed in tablaos around Spain and throughout the world.

Paco de Lucía’s tremendous success isn’t due solely to his work as a flamenco guitarist, but also because he has influenced other styles of music, and this award in particular has expanded his sphere of influence from the purely musical and comercial to the academic, wrapping this flamenco musician’s work in a nimbus of respect even more grandiose than before.

The son of a Spanish father and a Portuguese mother, this is not the first distinction De Lucía has received. In Spain, he has received every award an artista could deesire: National Flamenco Art Prize for Guitar, Gold Medal for Merit in the Fine Arts, Honorary Distinction in the Music Awards, Prince of Asturias Prize for the Arts and Doctor Honoris Causa from the University of Cádiz.



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Day 13 of the Jerez Festival: Luis El Zambo, Fernando Romero & Adrián Sánchez

Day 13 of the Jerez Festival: Luis El Zambo, Fernando Romero & Adrián Sánchez

The singer Luis Fernández Soto “El Zambo” has a prodigious ancestral voice and haunting moan. An absolute master of song and the singing styles typical of Jerez, Luis’ manner of interpreting flamenco song is an excellent example for young artists. The Conciertos de Palacio cycle offered attendees of all ages the best possible opportunity to see the singer from Jerez, face to face and without a microphone.

The dancer and choreographer from Seville Fernando Romero challenged himself by making a flamenco version of a classic: Stravinsky’s “The Soldier’s Tale” written in 1918. Romero plays the role of a soldier who makes a deal with the devil, embodied by Manolo Marín. The other characters are the singers Juan José Amador and Miguel Ortega, who act as the narrators, and Isabel Bayón in the role of the princess.

“Historia de un soldado” follows in the footsteps of theatrical flamenco dance. It was at the beginning of last century when this artistic style began with artists like Antonia Mercé “La Argentina,” a style also interpreted by grand masters, such as José Granero and Mario Maya, who without a doubt influenced Romero.

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Day 12 of the Jerez Festival: Manuel Valencia, Kina Méndez, La Farruca & Belén López

Day 12 of the Jerez Festival: Manuel Valencia, Kina Méndez, La Farruca & Belén López

Guitarist Manuel Valencia and singer Kina Méndez, both from Jerez, vindicated the value of the most recent generations of flamenco artists in the Los Conciertos de Palacio cycle. Valencia is representative of the most primordial of guitar playing, but still preserves a contemporary apex. He has absorbed the knowledge of older flamenco guitarists, such as Manuel Morao, and current guitarists, such as Gerardo Núñez, in equal parts...

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