Flamenco Artsists and Figures Flamenco

Adela Fernández Jiménez, also well know as the flamenco singer "Adela La Chaqueta", but she liked to be called "La Gitana" (the gipsy). Born in Cadiz in 1918 and died in Jerez de la Frontera (Cadiz) in 1995.
Descendant of a huge flamenco family of "chalecos" and "pantalones", daughter of "El Mono", sister (because of her father) of Tomás "El Chaqueta", José "El Chaleco", Antonio "El Chaqueta", Imperio de Granada and Salvador "El Pantalon", cousin of Juan Doblones and Canono, aunt of "El Chaqueton" and "El Flecha". Also related to the "Tio Juan" from Jerez, father of Nano de Jerez.
On October 12. in 1933, with 15 years old, she arrived in Madrid, meking her debut in "Las Calles de Cadiz" show, presented by La Argentinita.
Almost during all her career she performed in different tablaos accompanied by famous artists as Manolo Caracol, Pepe Marchena, Manuel Vallejo, Tomás and Pastora Pavón.
She lived many years in Madrid, working in "Los Canasteros", "La Venta del Gato" and "La Zambra".
She had a voice with a young and nice tone, she was an expert in the festive singings and the singings called "ida y vuleta".
There are not many recordings but she is one of the fundamental singers of her time.
In 1986 and 1987, she starded showing "El Sur y la Petenera" leaded by Manuel Vargas.
In 1986 she also performed in New York together with Fernanda de Utrera, El Chocolate, Juan Habichuela and El Farruco, in the show "Flamenco Puro".
Before her death in 1995, she performed in Cadiz, during the Alegrias competition.

Adela Silvia Campallo was born in Sevilla in 1977, specifically in the flamenco neighborhood of "Cerro del Aguila". She received her first training by Manolo Marin, in his academy, then she worked with José Galván, with him she shaped as dancer.
However she improved her art later with artists like Eva la Hierbabuena, Antonio Canales, Javier Barón, her brother Rafael Campallo, Adrián Galia and Manolete. She took part in a lot of shows until she obtained her place in the "Compañia Andaluza de Danza", and then she moved to the Manuela Carrasco Company. Now she is working with Andres Marin and she has a large experience of dancing in tablaos of Sevilla, Barcelona or Tokyo.

Adrian Galia. Adrian Jorge Caviglia Marcioni, also known as "Adrian Galia", born in Buenos Aires in 1965. From 1978 he lives in Spain, he attends classes in the famous dance school "Amor de Dios" http:www.amordedios.com, reserve of great dancers, trained by the masters like Ciro, Manolete, Isidro "El Mono" and "La China". He took part of the "Ballet Español de Madrid" when he was a teenager with artists like Luisa Aranda, Merche Esmeralda, José Antonio and Eduardo Serrano El Güito. In 1988, he was the first dancer of the old "Teatro de Danza Española" and of the "Ballet del Teatro Español de Rafael Aguilar". He also worked with Maya Plisetskaya, Julio Bocca, and creates his own "Compañía de Flamenco Adrián Galia". He performed a duet in Paris with Joaquin Cortes. In 1992 he won the first award of the "Certamen Internacional de Coreografía de Danza Española Y Flamenco de Madrid". In 1993 he obtained his place in the "Compañía de Cristina Hoyos", in 1996 he worked alone for the "Teatro de la Abadía", introducing the show "En Clave Flamenca". 1997 is the year when he begins with his project of creating an audiovisual encyclopedia, introducing the main styles of dancing "Paso a Paso los Palos Flamencos": an accessible didactic method combining the technique and the hands, arms and body movements. In 1999 he starts showing "Pensando Flamenco" in the "Teatro de Madrid". In 2001 he's in Japan, in the "Tablao el Flamenco" of Osaka. The same year he founded "Jaspain", first Flamenco choreographic center in Tokyo, Japan. In 2004 the "Fundacion Antonio Gades" called him to play "Don José" in the show "Carmen" with the "Compañía Antonio Gades".

Agustina Lopez Pavon, also known as "Tina Pavon", born in 1948, on June 30. in San Fernando, Cadiz.
From San Fernando she took the roots of the singing, inherited by her maternal family. For familiar reasons all the family moved to Jerez de la Frontera in Cadiz.
At twenty years old she moved to Huelva, where she begins to sing in "peñas" (groups) and participates in competitions.
In 1982 she wins the first awars of Mairena del Alcor, and in 1983 she obtains the National Awars in the "Cantes de Cadiz". Now she runs the "Aula de cante" for the "Peña Flamenca de Huelva.

Discography

Ecos de la Alameda
Mi cante como bandera
Sueños del Rocío
Sal y duende
Rosa de cera

Alejandro Moreno Vera. Born in Malaga, in 1982, his family is linked to the flamenco. At 16 years he begins with the master Pepe Satorre.
Now he is working in solo and he joins the "toque" with the singing accompaniement and dancing.

Alfonso Salmerón Salmerón. Also known artistically as "Alfonso Salieron", born in Almeria in 1944, October 23.

At seven years old he won his first competition at the "Radio Juventud", his parents were singing amateurs. At 14 he moved to Barcelona with José Sorroche and Domingo Garbín, and he lived there for 2 years.
The he came back to Almeria and he launched a snack bar with his brother Manuel. The military service in Madrid was an important period, during his free time he worked for the "Arcos de Cuchilleros":
He learned perseverance and regularity. He is settled and got a contract in Las Brujas, Zambra, Cuevas de Nemesio, the Canasteros and the Café Chinitas. His marriage gave him stability.

In 1985 he won the first award of the "Concurso Nacional de Córdoba" with tarantos. After a performance in the area of Avila, he created a flamenco group, "peña", under his name. During this time he developped the "p'alante" singing.
Singing "p'atrás" he had professional experiences with some prestigious "bailaores" like María Rosa, Antonio Gadés, Matilde Coral, Mario Maya, el Güito, Sara Lezama, Carmen Mora, he also worked with Antonio for the National Ballet.

In 1985 and 1986 he joined the Carmen opera with José Carreras and Von Barajan. This experience marked his career and he familiarized with the classical music, he also acquired a responsible and depp commitment with his own art.

Nowadays he works for the Royal Conservatory of Madrid, giving singing classes and performing as "cantaor" for the Spanish dancing. This great "cantaor" excels in "compas" singings, like "alegrias", "bulerias" and "tangos" and also in the singing of his native land, basically in "taranto". He interprets this kind of singing with a sensitive feeling, trying to comunicate his affection fir his homeland to his audience. His last adventure: director of a big production, made up of 10 musicians in the "Teatro José Saramago" in Madrid, a box-office hit.

Alfredo Tejada Zurita, also known artistically as "Alfredo Tejada", born in Malaga, in 1979, on May 17. At 10 years old his family moved to Granada. His gipsy mother was a "cantaora" performing in "El Jaleo", after 4 years of musical studies the guitarist Luis Millan discovered him and he introduced him to the flamenco circles of Granada.
He won a few awards in different Andalusian competitions. He worked in the cave of Rocio del Sacro Monte in Granada. He also worked in live performences on the Miguel Ochando disc "Memorias", in Madrid with Adrian Gala.
Alfredo is a great hope.
In the Chumbera auditorium (Murcia) he left a good feeling and he proved with three mining "minero" songs (taranta, minera and cartagenera from Chacón)that he was brave. After that, he interpreted an original "farruca" with new tones, very melodic, close to a ballad.

Ana Fernández Molina, also known as "Ana Parrilla", born in Jerez de la Frontera (Cadiz). Her grandfather was Juan Fernandez Moreno, known as the "Tio Parrilla de Jerez", and her mother Bernarda Molina Vega born in Algeciras, her brothers Juan Parrilla "guitarrista", Manuel Fernandez Molina "Parrilla" and her sister Manuela. Her uncles were Gregorio Fernandes "Parrila", Juan Fernandez "Tio Juanichi Parrilla", Manuel Fernandez "El Sernita de Jerez" and Juana Fernandez "Tia Juana da de El Pipa".
Died in July 11. in Jerez de la Frontera (Cadiz), victim of a long illness.

From her youth she exelled in festivals and "tablaos" in Malaga, Madrid and Cadiz. In 1970 she accompanied her brother to the "Trini de España", José Menese, Antonio Nuñez "Chocolate" in the "Tablao flamenco" in Cadiz.
In September 1971 she went to Mexico D.F. with Enrique Morente and her brother "Parrilla de Jerez" with a contact fpr three months and a half. She is back in Spain on December 20.

From March to July 1972 she performed with her brother Manuel, in Marbella in teh "tablao Fiesta". Then the brothers performed in the Lola Flores "tablao" in Puerto Banús, in September in the "Caripén" of Madrid until end of October. On November 1. she obtained a contract, also with her brother, for a tour in South Africa and Rhodesia until February 17.

In February 1974 she is again on tour with her brother for the ballet "Luisillo", a tour through Venice, Genoa and other Italian cities, they will be back in Spain at the end of March 1974.
In September 1978 she performed with her two brothers and nephew Manuel Parrilla in the "Congreso de actividades de flamenco" in Zamora, directed by Manuel Torre and the Tio Parrila, her father.

In 1979, she is in "La Venta del Gato" in Madrid. And in 1984, with her brother, Curro Malena and Chano Lobato, perform in the following cities: Kortrij and Muscrón (Belgium) and in Brussels in July.
In 1992 in the show Ana Parrilla "de Jerez a Cai", they performed during the EXPO 92 in the Andalusian pavilion but also outside the EXPO enclosure during 6 months until they close the EXPO in October. They obtained the prize of the best flamenco during teh EXPO 92,
They went all over Europe, Asia, Africa and America.

In 1984 she obtained the "Copa Jerez de la Catedra de Flamencologia y Estudios Folkloricos Andaluces".
Amoung her outstanding performances stands out her participation in the "III Cumbre Flamenca" of Madrid, in 1986, in the "Teatro Alcalá Palace" now named "Nuevo Teatro Alcala", accompanied by her brothers on the guitar and with the singing of Antonio de Malena.

Andrés Cansino, born in Malaga in October 1971. At nine years old he learned with different teachers and he decided to learn alone until he's got sixteen, when he performed for the first time on stage.
He published twelve records, he is a classical guitarist. He took some masterly classes with Manolo Sanlucar in the "Festival Internacional de la Guitarra de Córdoba".

Andres Segovia Torres. Marquis of Salobreña, born in Linares (Jaen) in 1893 February 21. and died in Madrid in 1987 June 3. because of a heart attack, with 94 years.
Son of a humble carpenter. His father sent him to his uncles house to have a better economic position. He should become a chemist but he learned the guitar alone and in secret.
During this period the guitar was an underestimated instrument, considerated the gypsy instrument par excellence, not an "educated" music.
His first master was a flamenco barber, very good playing guitar. During his adolscence he studied at the Musical Institute of Malaga.
In 1909, with 16 years old, offered his first concert in Granada.
Andrés considers that his first debut was in 1913, in Madrid, with 20 years old. He had to rent a good guitar for this concert as his instrument wasn't appropriate.
During the competition "Cante Jondo" celebrated in Granada in 1922, arranged by Manuel de Falla and Federico Garcia Lorca with the participation of Andrés Segovia, is born the friendship between Segovia and Don Francisco Prieto-Moreno Pardo, great achitect and lover of the Herradura in Almuñecar. We can find a maritim walk with his name there.
He also played in the theater Liceo in Barcelona, and then he performed in Paris and London in 1924. He was 31 and he was already tge best guitarist on earth. In 1928 he made hsi debut in the United States.
His first records are from 1927, he has a big importance in the music world of the XX. Century. Thanks to him the guitar became an instrument like others. Great composers created music for that instrument. Due to the civil war of 1937 he left Spain for Uruguay until 1947. He worked with guitar manufacturers to design the classical guitar, with quality woods and nylon strings. The shape of the guitar has also been modified.
The key of his success will be the great sonority that he was able to reproduce with his guitar. Andrés Segovia get married three times along his 94 years of life. The two first times he became widower and his third wife, Emilia del Corral, Emilita, was 45 years younger and accompanied him until the last day of his life.
The king of Spain gave him, in 1981, the title of Marquis of Salobreña.
The City Council of Linares, his native city, installed a big clock (with the initials of the Master and the silhouette of his guitar). When the clock marks the hours you hear an extract of his work "Estudio sin luz".

Angelita Vargas Vega, also known as "Angelita Vargas", born in Sevilla in 1946. She focused his artistic career almost exclusively in Sevilla, she made her debut at 13. in the Hotel Murillo and later in "Los Gallos".
She also learned to sing. At the very begining of her career she recorded some festive songs under the name of "Angelilla la Gitanilla". Matilde Coral choosed that name. In Madrid she worked for "Las Brujas" with the show "Flamenco Puro y Duro".
She took part in a lot of tablaos, festivals and flamenco bienales, in Great Britain, United States, Japan, Netherlands and Germany. She received a few awards the "Pastora Imperio" in 1980, the "Premio Nacional al baile de la Cátedra de Flamencología de Jerez de la Frontera" in 1986. She took part in the "I Giraldilla del Baile" (Sevilla) in 1982, and the "Premio Matilde Coral" in 1984 (Mairena de el Alcor). She is now teaching. She is maried with "El Biencasao" and she has a son, José.

Antonio Carrión Jiménez, also known as "Antonio Carrión" or "EL Niño Carrión".
Born in Mairena del Alcor in Sevilla, in 1964. His family is coming from a great flamenco tradition, son of the cantaor "Carrión de Mairena" who teached him the first tones and flamenco compas. With thirteen years old he recorded his first work. He is also grandnephew of the cantaor "Cancuna", firend of "Juan Talega", "Antonio Mairena".
His toque, which pretends balance the most traditional forms with the most innovator trends, plants his roots in schools like the one of "Melchor de Marchena" or "Niño Ricardo" among other artists.
He also performed in French festivals, in Bordeau and Mont de Marsan, but also in Düsseldorf, Bruxelles, Amsterdam, Alexandrie, Bruges, Berlin, Genève et Rome.

Antonio Chacon García, his artistic name is "Antonio Chacon", born in Jerez de la Frontera (Cadiz) in 1869 May 16. and died in Madrid in 1929 January 21. Baptized in the parish church of San Miguel in Jerez.
Nobody could imitate him, he excelled in the "malagueños-levantinos" songs and was the first non-gypsy "cantaor" to make the flamenco singing school familiar. Son of unknown parents, his adoptive parents were Antonio Chacón Rodríguez, shoemaker, and Maria Garcia Sanchez. They adopted him and gave him their names. From his youth he helped his father in his work of shoemaker.
In 1886, with 17 years old, on July 26. he dared to sing during the party celebrated for the bullfighter Manuel Hermosilla in Jerez, in the shop "La Rondeña". There were Enrique "El Mellizo" and Joaquín Serna. All of them admired him and "El Mellizo" asked him to perform in the "Velada de los Angeles" in Cadiz.
The same year he is hired by Silverio Franconetti to perform in Sevilla, then he will perform alla round Andalusia with the great artists.
At 20 he got rid of the military duty and Silverio, his master, died. After that terrible moment he'll be four years without singing.
In 1894 he made his come back in the "Café del Burrero", in 1912 he moved to Madrid to perform in the "Gabrieles" and "Café de Fornos".
With 45 years old he went to America with the theater company "Maria Guerrero" performing in the Theater San Martin, in Buenos Aires.
In 1925, he opened the flamenco patio in the hotel "Alfonso XIII" in Sevilla, and as usual he performed in the Palacio de las Dueñas (owned by the Duques de Alba). He got sick and died in 1929 January 21. at home in Madrid. He's buried in the Almudena cemetery.

His favourite lyrics were:

"En la tumba de mi madre
a dar gritos me ponia
y escuche un eco del viento
- No la llames me decia,
que no responden los muertos."

Antonio González Garzón, also well known as "Antonio El Arenero", also known during his youth as "El Rubio Arenero". Born in Sevilla, in the neighbourhood of Triana, Chapina square, in 1925 April 13. and dies in Sevilla in 2004 July 2. Burried in the San Fernando cemetery.
"El Arenero" also excelled for his Solea songs, for his Siguiriya songs and Martinetes songs. They gave him the name of "Arenero"  when he was working as carrying sand from the Guadalquivir river in Winter, and in Summer he was working as carpenter on boats. His father was Antonio Gonzalez "El Rubio".
Considerated as the signatory of the Solea from Triana. We really discovered him in 1976 during a tribute to "El Gordillo" in Triana. After this year he performed in various festivals and songs in Peñas Flamencas, with "Al Teta" and "The Zapatero" he recorded a disc with  songs from Zurraque.

Antonio López Arenas, also known as "Antonio Arenas", born in Ceuat in 1929, March 15. and died in Madrid in 2008 on October 28.
His father was Francisco Lopez Cacao "Carrion de Mairena", and his mother Adela Arenas Romero; grandnephew of the cantaor "Cancuna".
Antonio Arenas grew up with flamenco, at his father home he learns about flamenco, and with 13 years old he recorded for the first time. Conchita Piquer, Manolo Caracol, Manolo el Malagueño and Juan Valderrama are the first ones to help him.
He was the first "tocaor" in "La Villa Rosa" of Madrid and then performed in tablaos and particular parties.
He was the first to accompany Camaron de la Isla on a disc. After that he went to Argentina for six months, then he came back to Madrid. In "El Corral de la Moreria" he will work for 5 years.
In the 60s he get sick and to help him and collect moeny the artists payed a tribute to him in "El Circo Price".
Along his career he accompanied a lot of cantaores like "El Almendro" "Elu de Jerez", "La Macanita", "Tina Pavón",  "Pansequito", "José Mercé", "José Menese", "Chano Lobato", "Chocolate", "Vicente Soto", "Rancapino", "Carmen Linares", "Camaron de la Isla" "Alejandro Sanz" or "El Lebrijano" among others. He also worked a lot of years for the different tablaos in Madrid. He gave classes and conferences about flamenco until his last days.

Antonio Lopez Olmo, also known as "Yeye de Cadiz", born in the neighborhood of Santa Maria in the city of Cadiz, in 1948. The name of "Yeye de Cadiz" was given because he belonged to the carnival group "Los Beatles de Cadiz".
He worked with Joaquin Cortes, Maria Rosa, Antonio or Manuela Vargas all around the world. He lived a lot of years in Japan where he owned a tablao until he came back to Madrid to work for the tablao "Torres Bermejas" with Camaron de la Isla, El Güito or Lebrijano.
His first participation in a competition was in 2004 and he won, it was during the "Concurso Nacional de Arte Flamenco" in Cordoba.

Antonio Mejias Portero, also known as "Antonio Mejias", born in Montilla (Cordoba) in 1979 April 17. From a humble family. From school time he excelled with his flamenco solo, and slowly he excelled in his environment. He made his first steps in the neighborhood of "Escuechuela" of Cerrillo, in San José. In 2000 he moved to Priego de COrdoba to work with the ONCE, he suffered from a visual handicap.
In 2006 he recorded his first disc "Amores Ocultos". He shared a show with great artists like. Fosforito, Chano Lobato, Chocolate, Luís de Córdoba, El Pele, El Cabrero, El Lebrijano, Mariana Cornejo, Calixto Sánchez, Aurora Vargas, Pansequito, Arcángel, Julián Estrada, Rancapinos, Tina Pavón, Carmen Linares, Carmen de la Jara, José Meneses, El Polaco, Diego Clavel.

Antonio Molina de Hoces. Also known as "Antonio Molina", born in 1928 March 9. in the neighborhood of Huelin, also known as the neighborhood of "tiredness" in Malaga and died in Madrid in 1992 March 18. because of a pulmonary fibrosis, diagnosed in 1989. Buried in the Almuden Cemetery, in Madrid.
In 1952 he married Angela Tejedor. From 1952 Antonio Molina was the patriarch of an artist saga. They had eight children, among them Angela, Paula, Miguel and Monica, also devoted to the performing and to the music. His granddaughter Olivia Molina is also an actress. One of his last and greatest satisfactions was to see Angela Molina on stage, singins "coplas" of the popular repertoire "La cosas del querer", a musical movie.
His family was poor and he started working at 10 years old as an animals keeper (pigs and rabbits), waiter, milk delivery man, upholsterer apprentice and many more. WIth fourteen, in 1942, he arrived in Madrid to work and in search of a better future.
Until 1949 he alternates works with various competitions, this is the year of his first award: 150 pesetas and a contract of empployment with a record company for "La Voz de su amo", his first disc contained 4 songs "El agua del avellano" and "El macetero". His greates hits were "Soy minero",  "Caballito Bandolero", "El Macetero", "La Estudiantina", "Adiós España" and "Yo quiero ser matador".
In 1954 he established his own show, "Hechizo", in the Calderon Theater. Until 1965 he will perform in various movies, like "El pescador de coplas" in (1953), "Esa voz es una mina" in  (1955),  "Malagueña" in  (1955), "La hija de Juan Simón" in (1956), "Café de Chinitas" in (1957) and  "El Cristo de los Faroles" in  (1957), among others.
He worked a long time with Juanito Valderrama creating shows. Molina had a loud and bright voice. After a few years of retirement he's back again in 1986.
He was a mix between flamenco singing and Andalusian songs, a performer with a incredible voice. The first one to perform in bulls squares in the presence of 10'000 persons.
We can see a statue of the artist in a square of Malaga, work of the sculptor Santiago de Santiago.

Songs:
 
A la nanita nana
A la sombra de un bambú
Adiós a España
Adiós, lucerito mío
Ángela del alma mía
Ave de paso
Ay Carmela
Ay Málaga mía
Barcelona
Barquito de mi amor
Buscando pelea
Caballito Bandolero
Caminito de mis penas
Camino
Camino verde
Campanas de San Lorenzo
Canela y clavo
Cantar, cantar
Cocinero, Cocinero
Como en España ni hablar
Con ese beso
Copla y fortuna
Coplas de la Mezquita
Coplas de mi Andalucía
Cuando siento una guitarra
De contrabando
Dos cruces
El agua del Avellano
El capitán
El cristo de los Faroles
El macetero
En el fondo de la mina
Estudiantina catalana
Estudiantina de Madrid
Gibraltar
La bien pagá
La Campanera
La hija de Juan Simón
La hija de Juan Simón
La jaca más postinera
La serranía
La tortolica
Las murallitas de Cádiz
Malagueña
Manuela la soleares
Mar blanca
Marbella, perla del mar
Mari Rosa o Mar y rosas
María de los Remedios
Mi petenera
Mujer extranjera
Ni Alemania ni Francia
Novia Malagueña
Pena Blanca
Plegaria
Por oro que brilla y suena
Portuguesiña
Preso del desamparo
Puente de plata
Racimos a millares
Rosa Malena
Si a ti te llaman Consuelo
Son tus dientes alhelíes
Soy del norte
Soy el cante
Soy Minero
Soy un pobre presidiario
Te llamaban la Caoba
Tientos del ay, ay
Toros y coplas
Tu fiesta campera
Una mujer extranjera
Una paloma blanca
Veinticuatro cascabeles
Yo quiero ser mataor

Antonio Soto Arjona, also known as "Antonio Soto", born in 1966, December 2. in Barcelona. Coming from a flamenco family from Malaga. Among his family: "La Pirula" and "La Cañeta".
With 14. he started his tour around the Arabic Emirats and Jartum in Sudan, with Juana Ximenis, disciple of Carmen Amaya. In 1982 he worked in tablaos "Los Tarantos", "El Cordobes" and "La Venta del Gato" in Madrid. In 1983 he worked as a guitarist for Antonio Salas, first dancer for the Antonio Gades company.
From 1985 he is the official guitarist of the "Torre del cante" Peña in Alhaurin de la Torre, in Malaga. He also accompanied Jose Merce, Camaron de la Isal, Aurora Vargas and other great artists.
Now he is the guitarist of the master Antonio Fernandez Diaz "Fosforito" and of the cantaor Manuel de los Santos "Agujetas". His last artistic presentation was the recording of a CD calle "Pa'er teto".

Awards:
1992: Premio Nacional de Guitarra en Alhaurín de la Torre.
2001: Premio Nacional de Córdoba, accompaniment "Juan Habichuela"
2002: 1er. Premio Bordón Minero Festival Internacional del Cante de las Minas de La Unión Murcia.

Argentina Maria Lopez Tristancho, also known as "La Argentina", born in Huelva in 1984 June 17. In 1998 she obtained an award in the fandangos competition in Huelva, arranged by the Peña Flamenco de la Orden. With 14 years old she joined the group Niños de Huelva and together they produce two albums. Then she creates the group Cané with four friends of Niños de Huelva. They record two discs during the three years of collaboration. "Paco Taranto", "José de la Tomasa" and "Esperanza Fernández" are some of her teachers.
With 12 years, a dance teacher suggested her a singing audition and her life changed. She learned how to sing fandangos in a Peña Flamenca in Huelva for nine years. The name of "Argentina" came from her paternal grandmother, raised in the neighborhood of "El Carmen" in Huelva.

Aurelio Sellés Nondedeu. Born in 1887 in the city of Cadiz, in the street called Santa Maria number 3 and died in Cadiz in 1974 in September 19. because of a vascular collapse.
Also known as "Aurelio de Cadiz" and also as "El Tuerto Aurelio". When he was young he wanted to be a fullfighter and his name was "El Gitano" and he appeared in various bullfights with young bulls but without success.
After working in various places he decided to try the flamenco singing like his brother "El Chele Fateta", and with 25 he started in the flamenco environments, he only performed in parties and intimate gatherings. He was hired outside Spain by amateurs and aristocracy.
He never wanted to work in tablaos, neither in theaters, only once he performed with Pastora Imperio with 38 years old and once in Madrid in "Los Gabrieles" and "Villa Rosa":
In 1965 the "Cátedra de Flamencología y Estudios Folklóricos Andaluces" gave him the "Premio Nacional del Cante" (national award for singing). Manolo Sanlucar was a wholehearted fan. He was excelent singing malagueñas, always singing with a deep emotion. We have to emphasize on his performance during the coronation of the Queen Isabel II if England. Very interesting recordings even if we have not a lot.

Aurora Vargas, born in Sevilla in 1956, in the neighborhood of "Macarena", also known as "Aurora Vargas". She made her debute in the tablaos, singing byu tangos and bulerias in "Los Canasteros", in Madrid, Manolo Caracol was the owner; but also in "Los Gallos" in Sevilla. She is a singer and dancer at the same time, even if she is more interesting as a singer.
She first got married with "Jarillo de Triana" and she accompanied him on tours. "Yeye de Cadiz" will be the one pushing her to sing. She appeared in the Carlos Saura movie "Flamenco" and in 1986 she is recognized like the best revelation artist.
She worked with "Bernarda de Utrera" or José Mercé and many more like Placido Domingo in the movie "Carmen". She also worked with Antonio Gades as first dancer in Paris.
Now she is married to "Pansequito", festive singer, one of the best of the flamenco world.
She worked in England, India and United States. First disc in 1997.