Flamenco music -> Spanish Pop-Rock

Musical box that contains 6 cd’s and attached to this a full score of his songs and at a special price. Talk about Triana is talk about the most important group of rock the spanish music has ever known. CD’s box contents: 1. El Patio (The yard) 2. Hijos Del Agobio (sons of anxiety) 3. Un Encuentro (An encounter) 4. Sombra Y Luz (shade and light) 5. Llegó El Día (The day arrived) 6. Un Mal...

Zaguan comes back with 'Testigo del tiempo', edited by Universal Music. A disc that supposed the establishment of the band's personality who has had success for a while in Andalucia. Zaguán is formed by five musicians from Sevilla who started doing versions of the mythical band Triana, of whom they are real admirers and fans despite their youth.We can say of Zaguan that they keep a style...

Lole and Manuel always took things at ease; with a calmness that hid a revolution. Lole's cante, sober and sweet, and Manuel's guitar, straightforward and masterful, broke with established flamenco. Thanks to their poetic lyrics and worldly spirits they won over a diverse audience. This Cd has the song 'Al Alba Con Alegría' (1980) which was dedicated to their daughter.

Lole and Manuel's music is not progressive nor symphonic rock but it is part of the birth of Andaluz rock. Their music was not conventional nor classic flamenco, it was about being at the forefront of flamenco with a new rhythm. Their pastoral lyrics were written by the poet Jose Manuel Flores, who broke the mold of sour and sorrowful lyrics from conventional flamenco by composing sensitive ones...

Zaguan is the new Andalusian rock group. It is a band with their own tittles and CDs. This year  they have realised a dream, by doing a homage to Triana, the first andalusian rock band and probably the very first one of sinfonical andalusian rock.

'Blues de la Frontera' is considered one of the best records released in Spain in the 1980s, not only in terms of flamenco. It is the beginning of a kind of sound that the Amador brothers christened 'blueslería'. It is also the last album that the Amador brothers recorded together. After 'Blues de la Frontera', Raimundo left the band and Rafael continued on his own. As the title itself indicates,...

Guitarras Callejeras (Street Guitars) is the second record by Pata Negra, the Amador brothers' legendary band. It is possibly the best example in the whole history of late twentieth-century flamenco of what gypsy flamenco rock is. 'Blues de la Frontera' is considered one of the best records released in Spain in the 1980s, not only in terms of flamenco. It is the beginning of a kind of sound that...

The brothers Raimundo and Rafael Amador (Seville 1959 and 1960) created a mixture of flamenco, blues and rock & roll that seemed the most natural thing in the world. Their recordings from the eighties are unanimously considered the best spanish pop music of that time.

Inspiración y Locura (Inspiration and Madness) is the first record by Pata Negra without Raimundo Amador. His brother Rafael is left as the band's only member, with whom other musicians cooperate.  

La Barbería del Sur lead the second wave of New flamenco bands and picked up right where Pata Negra and Ketama left off, bleding flamenco with other latin styles and jazz. In many aspects there haven't been any other recordings better than the ones La Barbería made with Nuevos Medios. The member's deep flamenco roots and and their spontaneous sprinkles of jazz, latin and african rhythms yielded...