Arte y majestad' is a piece by Camarón like no other; his was and vocal turns are present in each surco, even if the numbers are signed by Antonio Sánchez. To prove this, one need only listen to the soleares, tarantas, seguiriyas and bulerías which are dedicated to Curro Romero, whom he admired. Titi's tangos and some Cadiz cantiñas are also included. There are two natural fandangos and two 'huelvanos,' the ones titled 'Ni que me manden a mí' are by Enrique Morente, which Camarón records with an air of personal relief. The album's cover, which consists of a color portrait of Lamara, is once again the original design of 'Camaron de la Isla con la colaboración especial de Paco de Lucia'. Ramón de Algeciras is on the second guitar.