
- Contact |
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(+34) 91 542 72 51.
We’re open from Monday – Friday 10h-13:30h / 17:00-20:00h and Saturdays 10h-13:30h (GMT + 1).
In 2022, we will be closed for holidays the 1st and 6th January, 14th, 15th and 16th April, 2nd and 16th May, 25th July, 12th October, 16th August, 1st and 9th November, 6th, 8th and 26th December.
Our shop is located in Calle Campomanes nº 4, Madrid 28013 España (Ópera Metro Station) - Help |
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- Flamenco best sellers
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All Flamenco
- Bracelets
- Braces and Belts
- Breeches and Tassels
- Brooches
- Bull-fight and Spanish Flag Handbags
- Bullfighter Outfits
- Campero Boots Valverde del Camino
- Costumes and Accessories
- Customized Products
- Fabrics per Metre
- Flamenca Blouses
- Flamenco Costumes for kids
- Flamenco dance Tops and Bodies
- Flamenco Dolls
- Flamenco Face Masks
- Flamenco Guitars
- Weddings and Brides
- Guests Hats
- Souvenirs, Parties
- Didactic Material
- Music and video
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- Flamenco best sellers
- Andalusian costumes
- Castanets
- Combs and Small Combs
- Fans
- Flamenca outfits
- Flamenco Dance Outfits
- Flamenco Earrings
- Flamenco Flowers
- Flamenco Shoes
- Flamenco Skirts
- Hats
- Manila Shawls
- All Flamenco
- Bracelets
- Braces and Belts
- Breeches and Tassels
- Brooches
- Bull-fight and Spanish Flag Handbags
- Bullfighter Outfits
- Campero Boots Valverde del Camino
- Costumes and Accessories
- Customized Products
- Fabrics per Metre
- Flamenca Blouses
- Flamenco Costumes for kids
- Flamenco dance Tops and Bodies
- Flamenco Dolls
- Flamenco Face Masks
- Flamenco Guitars
- Flamenco percussion boxes and canes
- Flamenco Pictures
- Flamenco Shirts
- Hats
- Jewellery
- Joaquín Cortés
- Manila Shawls
- Necklaces
- Posters
- Regional Shoes
- Sales
- Short Boots
- Small Shawls
- Spanish Aprons
- Spanish flags
- Spanish Gifts
- Stickers and Adhesives
- Sticks
- T-shirts
- Veils (Spanish mantillas)
- Zahones
- Weddings and Brides
- Bridal Combs
- Bridal Jewelry
- Bridal Veils
- Brooches for wedding veils
- Bun hair pins
- Flowers for bride
- Wedding Dresses
- Wedding Fans
- Wedding music
- Guests Hats
- Design Earrings
- Floppy Hat
- Floral Crown
- Guest Headband
- Guest headdress
- Party clutches, Guest clutches, Mini Bag
- Straw boater for Women
- Top Hat for Women
- Souvenirs, Parties
- Flamenco-Spain.com
- Didactic Material
- Books
- Classes for Beginners
- Didactic DVD & Video
- Flamenco Didactic CDs
- Flamenco Metronomes
- Flamenco Step by Step: Adrián Galia
- Manuel Salado: Flamenco Dance, Flamenco Guitar and Tap
- Oscar Herrero
- Scores and Sheet music
- Solo Compás
- Music and video
- CD. Flamenco music
- DVD
- Videos
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Whatsapp
- Our address:
- Calle Campomanes, 4, 28013, Madrid
- See map
- E-mail:
- flamencoexport@flamencoexport.com
- Phone:
(+34) 91 542 72 51.
We’re open from Monday – Friday 10h-13:30h / 17:00-20:00h and Saturdays 10h-13:30h (GMT + 1).
In 2022, we will be closed for holidays the 1st and 6th January, 14th, 15th and 16th April, 2nd and 16th May, 25th July, 12th October, 16th August, 1st and 9th November, 6th, 8th and 26th December.
Our shop is located in Calle Campomanes nº 4, Madrid 28013 España (Ópera Metro Station)
Raíces del cante gitano - Antonio Mairena (Republication)
He excelled in the most serious, solemn palos of Gypsy origin (often known as Cante Jondo), like Tonás, Martinetes, Soleá, and Siguiriyas, of which he recorded all or most of the traditional songs and variations. The value of his artistic legacy is controversial. On the one hand, some flamenco fans and critics consider him to be a model to imitate, an impersonation of the most authentic flamenco, and a restorer of traditional forms. On the other hand, others disregard him as excessively orthodox, academic, and cold, and regard his views on flamenco as paralysing and a threat to the future evolution of the flamenco art. They also often accused of ethnical bias, as he tended to overemphasize the quality of flamenco styles which where of Gypsy origin, while looking down to anything non-Gypsy.
It is frequently stated that some of the songs he rescued from oblivion had in fact been created by him, although he always denied it, as he believed that in flamenco there was no scope for new creations, and modern singers had to limit their work to the traditional songs inherited from the tradition. However, many of the songs he rescued are now part of the usual repertoire of flamenco artists.
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He excelled in the most serious, solemn palos of Gypsy origin (often known as Cante Jondo), like Tonás, Martinetes, Soleá, and Siguiriyas, of which he recorded all or most of the traditional songs and variations. The value of his artistic legacy is controversial. On the one hand, some flamenco fans and critics consider him to be a model to imitate, an impersonation of the most authentic flamenco, and a restorer of traditional forms. On the other hand, others disregard him as excessively orthodox, academic, and cold, and regard his views on flamenco as paralysing and a threat to the future evolution of the flamenco art. They also often accused of ethnical bias, as he tended to overemphasize the quality of flamenco styles which where of Gypsy origin, while looking down to anything non-Gypsy.
It is frequently stated that some of the songs he rescued from oblivion had in fact been created by him, although he always denied it, as he believed that in flamenco there was no scope for new creations, and modern singers had to limit their work to the traditional songs inherited from the tradition. However, many of the songs he rescued are now part of the usual repertoire of flamenco artists.
SongsDisc 1
1.La mulilla (Bulerías)
2.Tanto llamar (Seguiriyas de los puertos)
3.Mañana me voy (Tangos)
4.Por tu causa (Soleares de Cádiz y Jerez)
5.Tres cuadros (Tanguillos)
6.A mis enemigos (Seguiriyas de Cádiz y los puertos)
7.Los llaman (Giliana)
8.Me muero yo (Seguiriyas de Triana)
9.Alevántate (Tonás)
10.Romande de la princesa Celinda (Corrida)
11.Gitana pura (Bulerías)
12.Los pasos (Seguiriyas de los puertos y Triana)
13.En Santa Ana (Tangos de Triana)
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