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Description:
THE ACADEMIC TREATISE ON FLAMENCO GUITAR by the maestro Manuel Granados represents didactic material of enormous
interest for maestros, students, flamenco aficionados and guitarists of all musical styles.
Organised into five volumes, is aimed at those students about to begin their studies, and to all those who may have
learned without real coherency and who may have some faults to correct.
Each book is divided into three sections: Technique, Styles and Theory of flamenco music, all of them with a CD so
that the guitarist can practice without the need of help from a teacher.
A4 Format-76 pages
Music and Tablature
In three languages: Spanish, English and Japanese
Contents of VOL 3:
I.TECHNIQUE
1. OPENING ARPEGGIOS AND FAST ARPEGGIOS
2. LONG ARPEGGIOS COVERING 6 STRINGS
3. ARPEGGIOS WITH SIMULTANEOUS NOTES
4. FLAMENCO TREMOLO
5. RUNS (PICADOS) 6. ARPEGGIO-PICADO
7. CHORDS OR SIMULTANEOUS NOTES
8. CAPO/BARRÉ
II.STYLES
MALAGUEÑA
GRANAÍNA
TARANTA
SOLEÁ EN MI
SIGUIRIYAS
TIENTOS
III. FLAMENCO MUSIC THEORY
KEY SIGNATURES IN FLAMENCO TRADITIONAL
HARMONY APPLIED TO FLAMENCO
FUNCTIONS: TONIC, DOMINANT AND SUBDOMINANT
SECONDARY DOMINANT CHORD APPLIED TO FLAMENCO MODE
interest for maestros, students, flamenco aficionados and guitarists of all musical styles.
Organised into five volumes, is aimed at those students about to begin their studies, and to all those who may have
learned without real coherency and who may have some faults to correct.
Each book is divided into three sections: Technique, Styles and Theory of flamenco music, all of them with a CD so
that the guitarist can practice without the need of help from a teacher.
A4 Format-76 pages
Music and Tablature
In three languages: Spanish, English and Japanese
Contents of VOL 3:
I.TECHNIQUE
1. OPENING ARPEGGIOS AND FAST ARPEGGIOS
2. LONG ARPEGGIOS COVERING 6 STRINGS
3. ARPEGGIOS WITH SIMULTANEOUS NOTES
4. FLAMENCO TREMOLO
5. RUNS (PICADOS) 6. ARPEGGIO-PICADO
7. CHORDS OR SIMULTANEOUS NOTES
8. CAPO/BARRÉ
II.STYLES
MALAGUEÑA
GRANAÍNA
TARANTA
SOLEÁ EN MI
SIGUIRIYAS
TIENTOS
III. FLAMENCO MUSIC THEORY
KEY SIGNATURES IN FLAMENCO TRADITIONAL
HARMONY APPLIED TO FLAMENCO
FUNCTIONS: TONIC, DOMINANT AND SUBDOMINANT
SECONDARY DOMINANT CHORD APPLIED TO FLAMENCO MODE
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