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Three chapters devoted to the "por arriba" syles, that means in flamenco mode of MI (respectively: tangos, soleá and rumba), you will find a detailed description of the principal techniques for the right hand peculiar to the flamenco guitare (rasgueados, pulgar, alzapua, picado etc.) and some pieces of advice to work on it efficiently; an analysis of the elements which give structure to the "toque" in solo: compás, llamadas, falsetas, remates, etc; a lot of examples showing the manner to dominate the difficult "compas" thanks to repetitive techniques for the right hand (rhythmic control) and some "reflection" sequences for the left hand (melodic and harmonic control); an analysis of the traditional "falsetas" giving you the ability to create and vary your own "falsetas".
Regarding the CD it takes back a lot of muscial examples of the method to make the understansing and the assimilation easier
