Flamenco music -> Flamenco Guitar

Vicente Amigo is giving his best in this album. After five years without publishing an alum alone, Vicente Amigo comes back with 'Un momento en el sonido'. A flamenco album, in which there is the cooperation of Tino di Geraldo and Joan Albert Amargos and the singers Antonio Villar and 'Potito'. 'Un momento en el sonido' is the best song of the album. The rhythmic originality of the rumba...

The second record by Pedro Sierra, in which he shows his mastery of both the solo guitar and the guitar accompaniment of singing and dancing. He is also the record's composer, producer and arranger. In the record, the bailaor (flamenco dancer) Israel Galván has also taken part. Moreover, technical advances have allowed him to eliminate and replace the guitar accompaniment on old songs by Antonio...

A compilation in a double disc, it gathers the best Flamenco artists. It gives a broad journey through the palos of Flamenco with its cast: Enrique de Melchor, Manolo Sanlucar, Sabicas, Ramon de Algeciras, Niño Miguel, Paquera de Jerez, Manuel Morao, Pepe de Lucía, Fosforito, Paco de Lucía, Pedro Peña and  María la Perrata.

Historical Antology. three albums with the best flamenco. A total of 49 tittles including artist's collection like Paco de Lucía, Manolo Caracol, El Lebrijano, Antonio Mairena, Camarón de la Isla and much more.

'Tauromagia' is a landmark in flamenco music, it is a musical round up of the bullfighting world. Songs created by the guitar and vocals (accompanied by chords, metals and percussion) teach with every one of their notes the art of the bullfight. The music's harmony show with the moments of hope, fear, joy death and glroy from the moment the bull is born in the meadow until the bullfighter...

Two of Tomatito’s very first solo records, in which the brilliant guitarist is surrounded by great artists. ‘Barrio negro’ features the participation of Camarón, Antonio Carmona, Juan Carmona and Carles Benavent. On the other hand, in ‘Guitarra gitana’, the most successful flamenco record of 1997, he is accompanied by Dieguito El Cigala, Remedios Amaya, Raimundo Amador and Jorge Pardo, among...

Tomatito has become a soloist of major significance within the realm of the flamenco guitar. His personal approach to both the festive and traditional formats in flamenco highlight his unique sensitivity and interpretative power. For more than a decade, he has combined loyalty to his racial heritage with an unusual ability to cross ideological barriers. New album of Tomatito with important guest...

Considered one of Camarón's heirs, in the year when the genius from the island died (1992), Duquende inherited Tomatito's guitar. Some time later he also began working with Paco de Lucía. In this work, he unites his teacher's two emblematic guitarists and brings in other great musicians like Carles Benavent, Tino di Geraldo and the Carmona brothers (Ketama) to accompany them.

The Tomatito we all know comes back with new colors and sounds in this album, named after the street where he lives "Paseo de los Castaños."A colaboration with George Benson is heard in the song "La Vacilona."Tomatito uses new guitars and melodic techniques. There is a turkish song orchestrated by Joan Alberto Amargós. Musicians include El Paquete, Tino di Geraldo, Javier Colina, Bernardo...

With this record, Tomatito achieved the greatest flamenco success in 1997. Laden with tangos and bulerías, and surrounded by great artists like Dieguito, Remedios Amaya, Raimundo Amador and Jorge Pardo, among others, it enjoyed a great reception, both by critics and in terms of sales. Tomatito presented this record on the most important stages in Spain and throughout the world.