Flamenco music -> Camaron de la Isla

Camarón de la Isla, more alive than ever. The mythic soundbox that contains all the gaditano singer's recordings has changed both the sleeve and the contents.With the same design as our compilation, the new integral recorded between 1969 and 1992 contains 17 Cds with its correspondent and original sleeve. Afterward, three more Cds: The live of Paris in 1987, The unpublished anthology, At "La...

Limited edition. New Camarón. "Reencuentro" is a CD+DVD including new musical pieces, recorded by Camarón de la Isla.The first song "Por tangos" includes the singer La Susi; in "Saeta", a duet with Manuel Serrat, Camarón is performing with Jarcha; and Luis Monge is his musical backing in "Soleá del Chaqueta". The record company Universal is launching "Reencuentro", a new CD with Camarón de la...

'Una leyenda flamenca' brings the best Flamenco music to ever grace one's ears and Camarón de la Isla who with his pure and hard Flamenco and voice touches our soul.

1989. 'Soy gitano', first gold disc for Camarón de la Isla in Spain (over 50.000 copies sold). It is no secret that Camarón set a before and after in the flamenco history in Spain. He was a cante revolutionary and his contributions to flamenco are countless, and many of them acted as breeding ground for many other singers that were to come after him.

During his childhood, Camarón was already going around the streets and inns in Cádiz, singing and playing the guitar to earn a little money. When he wasn’t 17 yet, he recorded some songs, that have now been re-mastered and whose sound has been cleaned up, in the Venta de Vargas, a legendary flamenco establishment during the 1970s. Not all of the songs are strictly speaking part of a performance,...

La Leyenda del Tiempo is one of the best pure Flamenco crossovers where Camarón opens one more different path for creating and enjyoing this genre. In this album only some elements of rock are intertwined with the more consistent Flamenco in Bulerías, soleares, etc. In his day, Camarón said 'The closest I have ever recorded to rock has been 'La leyenda del tiempo,' in it i took a chance and put...

It is a lively and joyful voice that pleases when it mixes with the sounds of Tomatito's piercing guitar. Camarón's amazing live performance allows to hear previously in-studio recorded songs in a more natural atmosphere. His voice can only be heard as sharp and as direct in a live performance. Tomatito's guitar is sharp and full of life.

A compilation with some of Camarón's most importanat recordings.

An uncomon album, with an artistic production below what the cantaor had us used to. The best of the album is the taste of tavern generated by the cantes without guitar with the only percussion being of the knuckles.

While it consists of a summary of the innovations we have heard until today, this disc forecasts new changes. Once again we find bulerías without claps like in the 1971 album but now Paco de Lucía doubles up on falsettos and some answers. With Ramón de Algeciras in charge of the second guitar; three guitars sporadically surface.In the bulerías 'Como castillo de arena' some endings surprise by...