Flamenco Palos

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Levantica

Levantica, it belongs to the miner songs, free metric system, Miner Songs, one of the less known song coming from the Murciana, the Taranto and the Minera. As the Cartagenera, coming from a folkloric fandango is also known as the Madrugá song, coming from the primitive Taranta usually sung in Almeria, Linares and La Union.

Liviana

Liviana, it belongs to the seguirya group, 12 times metrical system.

Liviana

Liviana, it belongs to the seguirya group, 12 times metrical system.

La Caña

"La Caña" belongs to the gypsy singing branch and is included in the "soleares/solea" family. It is a matrix singing, with a metric style of 12 times. La Caña can be considerated as a matrix singing trasncendent for the flamenco. Its melodic influence is unquestionable, not only in a lot if minor singings but also in ancient styles, frequently considered as original. Some prestigious opinions date the "soleas" and also the "siguiriya" before the "cañas". The "caña" use and cover all the registers of voice. It is very hard and difficult to sing and needs precision. You also have to express it with purity, having perfect knowledge of the style but also outstanding vocal faculties.

La Caña

La Caña, it belongs to the fundamental song, considered as the most transcendent fundamental song of the flamenco. Its melodic influence is unquestionable, not only in minor songs but also in some old styles frequently accepted like "original".
Some prestigious opinions locate the "soleas" and the "siguiriya" previously to the "cañas". But we think that the solea is subsequent.
It is very difficult to sing "cañas" and the singer has be a deep "cantaor". He needs to have a perfect style knowledge but also exceptional vocal abilities.

Livianas

Livianas, they belong to the country styles, to the solea group and to the metric style of 12 measures.