Cabales, they belong to the fundamental songs, to the solea group and its measure style is 12 times. This song called "cabales" is a changed "seguiriya". Fillo called it like that.
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Cabales, they belong to the seguirya group, 12 times metrical system. The song known as "cabales" is the same thing than the "seguirya". Its denomination is attributed to Fillo.
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Cabales, they belong to the seguirya group, 12 times metrical system. The song known as "cabales" is the same thing than the "seguirya". Its denomination is attributed to Fillo.
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Caña, they belong to the solea group, metrical system of 12 times.
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Caña, they belong to the solea group, metrical system of 12 times.
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Cante de Trilla, it belongs to the country styles. Surpsising melodic similarity with the lullaby. It is not an exculsive Andalusian song.
In Castilla you can find genuine Cantes de Trilla. The rhythm of the cante de trilla is supported by the accompaniement of the high-pitched and clear bells pined on the tacks and of the voices of the "arrieros" (person in charge of the beasts. Their voices encourage and stimulate the worl of the beasts. -
"Cantes camperos" (Rural Songs), they belong to the free styles group.
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Cantiñas, they belong to the solea group, metrical system of 12 times.
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Cantiñas, they belong to the solea group, metrical system of 12 times.
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Caracoles, they belong to tha dancing songs, to the solea group and to the metric style of 12 measures. The current Caracoles are coming from an old Cantiña called "La Caracolera", Cantiña from Cadiz that you can dance.
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Caracoles, they belong to the solea group, metrical system of 12 times. It seems that the current Caracoles are coming from an old Cantiña called "La Caracolera", a cantiña from Cadiz that we can dance. The cantaores mixed it with other cantiñas.
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Caracoles, they belong to the solea group, metrical system of 12 times. It seems that the current Caracoles are coming from an old Cantiña called "La Caracolera", a cantiña from Cadiz that we can dance. The cantaores mixed it with other cantiñas.
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Carceleras, they belong to the free styles group. A flamenco "palo". Generally it is a song "copla" with four octosyllable verses. As the Martinete, we consider its form like the "toná" but with lyrics talking about prison or convicted persons. Group of the tonás. Performed without guitar ("a palo seco").
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Cartagenera, it belongs to the East songs, flamenco styles of the eastern provinces, Almeria and Murcia, songs of the mine and free metric system. Born in Taranta, with some inflections of the "malagueña", the "cartagenera" is between these both folk songs. Generally made up of four octosyllable verses.
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Cartagenera, it belongs to the East songs, flamenco styles of the eastern provinces, Almeria and Murcia, songs of the mine and free metric system. Born in Taranta, with some inflections of the "malagueña", the "cartagenera" is between these both folk songs. Generally made up of four octosyllable verses.
Tarantas, they belong to the East songs, flamenco styles of the eastern provinces, Almeria and Murcia, songs of teh mine and following a free metric system. The main eastern style is, witout any doubt, the "taranta". Long, rough and manly song, with the only influence of the fandango. The taranta is the usual miner song. Born in the most inhospitable miner basin, the taranta reflects in its tortured verses the superhuman effort, the terrible tiredness of the first country persons.
Very romantic song, very expressive. The guitar is used like the tone and rhythm support. -
Colombinas/Colombianas, they belong to the Latin American branch, to the tangos group and their measure is binary. Flamenco song belonging to the group of "Cantes de ida y vuelta".
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Colombinas/Colombianas, they belong to the Latin American branch, to the tangos group and their measure is binary. Flamenco song belonging to the group of "Cantes de ida y vuelta".